No se pretende hacer una comparación entre la filosofía de Kant y la de Spinoza, sino más bien mostrar un punto de encuentro, en el que ambas se cruzan sin reconocerse, El análisis de tal encrucijada gira en torno a la autonomía y al conocimiento racional como acción libre. Despuésde esbozar la imagen filosófica que Kant tenía del Spinozismo ysu crítica a éste como antítesis del criticismo, a pesar del carácter de racionalismo crítico que, sin embargo, posee, se muestra en (...) una breve exposición de las líneas maestras de ambas ¿ticas, como entre disonancias y malentendidos se produce una convergencia en lo esencial: una ética lúcida y sin sumisiones, a la vez que un enfrentamiento en cuanto a la naturaleza y función del deseo.On nc cherche pas leí A comparer Kant et Spinoza, mais plutót A dépeindre la relation entre ses philosophies comme un point de rencontre oit les deux se crossent sans se reconnaitre. L’analyse de cette mésentente toume autor de l’autonomie et de la connaissance rationelle comme action libre. Aprésavoir vu l’image de Spinoza chez Kant et la critique que celui-ci fait du spinozisme comme antithése du criticisme et avoir rétabli, cependant, la théorie spinoziste comme rationalisme critique, on montre finalement, en exposant les grandes lignes des deux éthiques, comme A travers les dissonances et les malentendus, il y a une convergence dans l’essentiel: une éthique lucide et sans soumission. (shrink)

Se trata de una reflexión interdisciplinar, a partir de W. Benjamin, sobre las relaciones entre experiencia, tiempo y memoria histórica. La primera parte analiza el empobrecimiento moderno de la "erfahrung" que genera una "nueva barbarie", a la vez que experimentación innovadora, y que reclama un concepto más rico de experiencia, ligada a la totalidad concreta de la existencia. La segunda señala algunas paradojas de la memoria, muestra la inconsistencia del tiempo, cristalizado en el mito de "cronos", como principio ordenador, y (...) toma en consideración experiencias relevantes que requieren concebir otro tiempo. En esa dirección, la tercera parte desarrolla la idea de "jetztzeit", núcleo de la concepción crítica de la historia como tradición de los oprimidos, en cuyos instantes de peligro relampaguea el "angelus novus. (shrink)

The current science publishing system is in need of a positive transformation for the good of scientists and society as a whole. Herein, we propose features that, in our view, will distinguish the science publishing system of the future.

The island of Ibiza is a western Mediterranean destination known internationally for its nightlife. The aim of this paper is to make a proposal to classify the different types of premises in the Ibiza nightlife offer. This involves making a first definition that allows to delimit which businesses are parts of the sector. The methodology used is based on the case study and specifically, on the review of the promotional actions and activities carried out, completed with the visit to the (...) premises. The classification has been made based on the offer marketed and not only on the legal forms used, as innovation goes ahead of the existing legal classifications. Although it is a particular application, due to the international importance of Ibiza, it is a good starting point to classify the nightlife offer of many other tourist destinations. The resulting typology divides the sector into two large groups: nightclubs and other premises. While nightclubs have musical parties as their main activity declared, the other premises have accommodation or catering as their main activity, with music being an element of differentiation. Nightclubs are divided into several subgroups, depending on their size and relevance. The other premises are subdivided into Beach Clubs, Hotel Clubs, Party Boats, Lounge Clubs, Disco Pubs, among others. (shrink)

AimThe Coronavirus 2019 pandemic represents one of the most catastrophic events of recent times. Due to the hospitals’ emergency situation, the population of healthcare workers was the most affected. Healthcare workers who were exposed to COVID-19 patients are most likely to develop psychological distress and post-traumatic stress disorder. The present study aimed at investigating PTSD in a sample of Italian healthcare workers during this outbreak and to evaluate the effectiveness of the Eye Movement Desensitization and Reprocessing Therapy with this population.MethodsA (...) total of 744 healthcare workers were included. 587 healthcare workers were treated with EMDR, while the other 157 were not treated. Participants were asked to provide sociodemographic information; the post-traumatic symptomatology was evaluated through Impact of Event Scale-Revised and to investigate the level of intensity of emotional activation was used The Emotion Thermometer at two time points.ResultsThe results obtained between EMDR treatment and non-EMDR treatment were evaluated on only 2 hospitals. Treatment group n = 68 vs. waitlist non-treatment group n = 157. All scores pre- and post-EMDR decreased significantly showing an evident effect of EMDR. The differences between pre- and post-treatment of the IES-R scores of subjects in which EMDR was performed as compared to the scores pre- and post-12 weeks of waiting list subjects in which it was not performed were significantly different.LimitationThe emergency situation did not provide an opportunity to explore further aspects that would have been important for research. One limitation is the use and analysis of only two standardized tests. In addition, other psychopathologies were not investigated as outcome measures. A limitation is the comparison of subjects treated online and de visu. Although the protocol used was the same, the mode of intervention may have influenced the results. In addition, the effectiveness of EMDR treatment was only evaluated at two time points with no possibility of follow-up and the lack of a control group.Discussion/conclusionThe findings of the present study suggest that healthcare workers were at high risk of developing PTSD when confronted with COVID-19 outbreak and suggest the importance of psychological support during this humanitarian emergency. (shrink)

This article explores the relationship between the philosophy of the limit of Eugenio Trías and the sufism of Ibn ʿArabī. Firstly, it explains the function of the philosophy of religion in the triasian system and why the andalusian master has a privileged position. Secondly, it presents some essential aspects of the akbarian doctrine obtured by the philosophy of limit, as the declaration of the unity of Being, the path of servanthood, the transit from the sudden passion of love to (...) the spiritual love, the spiritual knighthood and the station of no-station. All of them share a common element: the trascendence of the egoic and the interest on the other as other. Finally, the article defends that Trias obturates the andalusian master doctrine due to the influence of Henry Corbin and mainly to the own limitations of its own philosophical project. The absent Ibn ʿArabī will be its shadow. (shrink)

Este artículo explora la relación entre la filosofía del límite de Eugenio Trías y el sufismo de Ibn ʿArabī. En primer lugar, pretende explicar la función de la filosofía de la religión en el sistema triasiano y por qué el maestro andalusí ocupa un lugar privilegiado en ella. Segundo, se ocupa de algunos aspectos esenciales de la doctrina akbarí que la filosofía del límite obtura, como la declaración de la unidad del Ser (tawḥīd), la conjugación de lo exotérico y (...) lo esotérico, la superación de la propia creencia, el camino de la servidumbre (ʿubūdiyya), el tránsito de la pasión súbita de amor (hawā) al amor espiritual (ḥubb), la caballería espiritual (futuwwa) y la morada de la no-morada (maqām lā maqām), los cuales comparten un nexo común: el trascendimiento de lo egoico y el interés en el otro en tanto otro. Finalmente, se defenderá que la obturación triasiana se debe tanto al influjo de Henry Corbin, como sobre todo, a las propias limitaciones de su proyecto filosófico, para el que el Ibn ʿArabī ausente constituye una suerte de sombra. (shrink)

This book presents the current feminist critique of science and the philosophy of science in such a way that students of philosophy of science, philosophers, feminist theorists, and scientists will find the material accessible and intellectually rigorous.Contemporary feminist debate, as well as the debate brought on by the radical critics of science, assumes—incorrectly—that certain movements in philosophy of science and science-driven theory are understood in their dynamics as well as in their details. All too often, labels such as “Kuhnian” or (...) “positivistic” are taken for granted, and much of the contemporary postmodern or post-structuralist feminist theory that sets out to criticize science does little to alleviate the reader’s lack of knowledge with regard to such movements.Unlike other texts, Philosophies of Science: Feminist Theories provides a student-oriented framework so that, for example, positivism is given a thorough grounding before the feminist critique of such epistemological theory is given. Other movements discussed include the Kuhnian turn, sociology of science, and the radical critique of science. Feminist theory and critique are interwoven throughout, with one chapter devoted to feminist thought, which includes the work of such thinkers as Longino, Hararway, Hubbard, Nelson, Harding, and Keller. (shrink)

Within Ajzen's Planned Behavior Theory framework, this article tests a model to estimate the predictors of entrepreneurial intention in academic scientists working in Chile. We adapted into Spanish the entrepreneurship intention questionnaire. We tested the entrepreneurship intention model on a sample of 1,027 scientists leading research projects funded by the Chilean Scientific and Technological Development Fund, the country's primary scientific research grant. The results show strong empirical support for the entrepreneurship intention model proposed while highlighting some critical issues specific to (...) entrepreneurial intention in scientists. In particular, we found an indirect effect of perceived subjective social support on entrepreneurial intention, which is mediated by entrepreneurial attitude and perceived behavioral control toward entrepreneurship. These results suggest that policies orientated toward promoting academic entrepreneurship should include developing a healthy social environment toward it, meaning that entrepreneurial intention is not only an individual but an organizational challenge. These policies should analyze the social norms guiding the scientists' reference groups to increase their effectiveness. (shrink)

This study constructs a measurement scale for Socially Responsible Consumption in the particular context of Colombia. It uses a mixed qualitative and quantitative methodological approach, beginning with four focus groups and ending with a quantitative validation exercise employing Exploratory Factor Analysis. The result is a Socially Responsible Consumption measurement scale consisting of four dimensions that reflect paradigms found in the existing literature. These are, however, expressed differently in Colombia. In particular, Socially Responsible Consumption involves consumer behavior that favors corporate social (...) responsibility practices and the rational consumption of resources and products while recognizing the importance of maintaining a healthy lifestyle through healthcare. (shrink)

Kategoriler’de, iki tür ontolojik yüklemleme ilişkisi ve karşılık gelen iki temel varlık ayrımı karşımıza çıkar. Aristoteles, bir taşıyıcı içinde olma ifadesiyle tözleri ilineklerden, bir taşıyıcı için söylenir olma ifadesiyle de tümelleri, özleri bakımından aynı olan tikellerinden ayırır. Anılan ayrımlar bize Aristoteles’in varlık görüşündeki iki temel prensibi verirler: Var olan çok anlamlıdır ve her zaman belirli bir şeydir. Bu bakımdan Kategoriler, şeylerin hem özlerini hem de ilineklerini açıklama ve böylece ilgili yüklemleme problemlerini çözme iddiasına sahiptir. Bu doğrultuda, metnin kendisinde doğrudan bir (...) atıf bulunmasa da literatürde Kategoriler’in Platoncu formlara yönelik iki temel eleştiri getirdiği sonucuna varılır: (1) Formlar teorisi var olanları tek anlamlı varsayarak şeylerin ilineksel özelliklerini açıklamakta başarısız olur; (2) formlar teorisi ilişkisel bir yüklemleme modeli kabul ettiğinden şeylerin özlerini açıklamakta başarısız olur. Bu yazı, Kategoriler ve Platoncu formlar arasındaki bu eleştirel ilişkinin Metafizik’in A kitabında yer alan bir pasajda (990b22-991a3) açıkça görülebileceği iddiasını taşır. Bilhassa Afrodisyaslı Aleksandros’un şerhi ışığında ele alındığında, pasajda formlar teorisine yöneltilen karşıt argümanların kategoriler kuramını varsaydığı ve argümanlar ile tam da literatürde konu edilen iki eleştirinin yapıldığı görülür. Bunun devamı olarak pasajdan, Kategoriler’in kaçındığı fakat formlar teorisinin yüzleşmek zorunda olduğu bazı ontolojik zorlukları çıkarsamak da mümkündür. Bu yazı ile, anılan pasaj bir kanıt olarak sunulmakta ve böylece Kategoriler’de formlar teorisinin örtük bir eleştirisi bulunduğu yönündeki literatür okumalarına katkıda bulunulması amaçlanmaktadır. Bunun için önce Aristoteles’in bu metinde ortaya koyduğu yüklemleme kuramı açıklanmakta ve ardından anılan pasaj analiz edilmektedir. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 37.1 (2003) 32-39 [Access article in PDF] Aesthetics, Epistemics, and Feminist Theory Jane Duran Recent feminist analysts of aesthetics and analytic aesthetics in particular seem to have come to the conclusion that the redemption of formulated aesthetic theory from the feminist point of view is a difficult and recondite task. 1 If analytic aesthetics now looks problematic, qua fruitful philosophical enterprise, its future (...) appears bleaker still when the intersection of the androcentric nature of analytic philosophy and the larger feminist project, frequently articulated in other than analytic terms, is examined.In this essay I will assume that there is some future for analytic aesthetics, and I will not dispute the basic assumption that any portion of analytic theory is somewhat immiscible with feminist points of view. My concern, rather, will be to try to show what it is specifically in the nature of analytic theory, both aesthetic and otherwise, which renders it of dubious value to the feminist critique (at least on first blush). Although in the past feminist theorists have tried to characterize the androcentric nature of analytic philosophy on the whole in rather striking terms,it is not clear that these terms have been precise enough. 2 Further, it is not clear that analytic modes are obviously unusable for feminist theory or for the development of a still nascent feminist aesthetics, although what one wants to say here is that this task is a terribly danger-fraught one. 3My goal here is twofold: first, to articulate what precisely it is aboutanalytic aesthetics (or any portion of analytic theory, for that matter) thatmakes it a hindrance — at least preliminarily — to the development of feminist views. In order to do this I will need to examine a relatively uncharted area in the literature, that is the parallel between much of analytic aesthetic theory and analytic epistemology. The second portion of my task will runsomewhat contrary to conventional wisdom: having delineated the mostmasculinist parts of analytic endeavors, I inquire if there is, indeed, anypart of rigorously articulated analytic theory that could lend itself to the development of a feminist aesthetic. [End Page 32] Analytic Philosophy and Aesthetics Analytic aesthetics, like analytic philosophy taken as a whole, has often proceeded as if the development of conceptual clarification and theoretical rigor could do much to "solve" or dissolve aesthetic problems. George Dickie's introductory work, for example, presents the student with a number of difficult areas in aesthetics, and then proceeds to address these areas in much the same manner that other contemporary texts employ for the discussion of issues in ethics, epistemology, or metaphysics.In discussing symbolism, Dickie first attempts to clarify the use of theterm, and then notes that there are problematic areas with regard to whether or not a work of art can both contain a symbol and serve itself as a symbol simultaneously. A symbol "stands for" in some establishable way that which it symbolizes. A symbol serves to transfer someone's thought to something other than itself, and the transfer is not a random association. The transfer depends upon certain features of the symbol which give it a place in a certain meaning system. 4I cite this material as exemplary because the flavor of analytic aesthetics is remarkably similar to the flavor of analytic philosophy as a whole. We sometimes need to remind ourselves that the techniques of analysis developed in the earlier part of this century relied on breakthroughs in logic and formal representation which allowed for a certain precision in matching symbol to thing signified. The original hope of philosophers working at the time of Bertrand Russell and G.E. Moore had been to develop something close to a logically perfect language with a one-to-one relationship between signifier and signified. However without merit this somewhat arcane task, its goals infused much of the philosophizing that followed it, and even the ordinary language school was, of course, indirectly an offshoot of this work. Nicholas Wolterstorff, for example, notes that "analytic philosophy was to be 'scientific philosophy'....The goal of the analytic philosopher... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.2 (2004) 88-94 [Access article in PDF] A Postmodern Tonantzín Jane Duran Visitors to the Puebla area in Mexico are frequently taken to the church of Santa María Tonantzínla, where they are told that they will see three or more styles of architecture simultaneously. Guidebooks to the area prominently feature this church and others like it, both as examples — or so the (...) reader is told — of the "Baroque," and as exemplars of the handiwork and craftsmanship of the indigenous.1 Because of the importance of various notions of style insofar as teaching in the arts is concerned, it might seem important to try to articulate what is meant by simultaneity of styles. In addition, today's students are often baffled by uses of the term "postmodern." In this essay I will argue that Santa María Tonantzínla may have somesurprising lessons for us all.There is no question that the visual effect of the building's interior is, in fact, stunning and that the visitor is simultaneously awed and bemused. Arrivals at this church in the Puebla suburb of Cholula see a riotous profusion of cherubs, angels, and other figures covering the walls, ceiling, nave, and almost every square inch of available space. Although some of the figures do indeed appear to bear a resemblance to those found in European structures created during the sixteenth and seventeenth centuries, other figures are more or less unrecognizable to most visitors, and clearly seem to be, as the books indicate, of non-European origin. To add to the effect of the stylistic mixing, the façade of the building is somewhat Romanesque, which only makes the interior more surprising and, in its own way, unexpected.I shall argue that work such as that at Tonantzín presents us with a variety of conceptual difficulties from the standpoint of aesthetics, and opens the door for some novel lines of argument. It is first of all quite unclear where the notion of "style" begins at Tonantzín; the boundaries are blurred and here, perhaps more than in most architectural treasures, one does not know how to announce or delineate the various styles. But much more important, [End Page 88] perhaps, is that this very amalgamation lends itself to the notion that one trope, the "postmodern," continually used in a discussion of contemporary architecture, is perhaps more relevant to Tonantzín than one might at first expect. In this essay I shall weave these two lines of argument together to support the contention that Tonantzín is, after all, postmodern. But before we can move to that assertion, it is important to try to think about what a meshing of such styles as "Spanish baroque" and "indigenous" could possibly mean, and why it has seemed urgent for writing on Tonantzín to employ these labels. Architectural Diversity In an intriguing article on the use of terms such as "modern" and "postmodern" in contemporary architecture, David Goldblatt has argued that Venturi's claim that modernity lacks what he terms diversity is more or less vacuous. As Goldblatt claims, the concept of diversity within a given work does not make much sense. More important for our purposes, Goldblatt goes on to provide a gloss on the notion of electicism, and its relation to a variety of architectural styles. He writes: When Venturi claims that modern architecture lacks diversity, he primarily means that it fails to achieve what he calls a pluralism. What he calls for is "Scarlatti and the Beatles, if diversity is to be achieved"....What Venturi is advocating is eclecticism.2As Goldblatt claims, eclecticism is the hallmark of the postmodern in architecture, and the eclectic pastiche that is Las Vegas — especially in terms of borrowed styles, ornamentation, and visible fripperies within the context of one building — becomes exemplary of that term and what it evokes. But to say simply that there may well be instances of the postmodern in architecture before the twentieth century, and before the decline of modernity itself, is to say very little. As Goldblatt... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Women Philosophers of the Seventeenth Century, and: Anne Conway: A Woman PhilosopherJane DuranWomen Philosophers of the Seventeenth Century, by Jacqueline Broad; 204 pp. Cambridge: Cambridge University Press, 2002. $65.00. Anne Conway: A Woman Philosopher, by Sarah Hutton; 280 pp. Cambridge: Cambridge University Press, 2004. $75.00.Recent work on women philosophers has, in general, approached the topic from two vantage points: on the one hand, a number of anthologies have (...) been published, wherein commentators present a small portion of the woman thinker's work, often without the background necessary for a fuller understanding. On the other hand, some few women philosophers have been the subject of full-length works, but these have tended, by and large, to be women thinkers of the twentieth century, with whose work we are already familiar. Two recent books, one by Jacqueline Broad and the other by Sarah Hutton, go a long way toward improving the situation.Work by Eileen O'Neill, Sarah Hutton and Margaret Atherton, among others, has helped familiarize us with the notion that the seventeenth century—that era so commonly associated with Descartes and the rise of modern philosophy—was also a time of rich theorizing by women philosophers. Jacqueline Broad's book possesses many virtues: it has the finely-tuned style of the careful historian, while at the same time not failing to demonstrate acquaintance with a range of contemporary feminist commentary. Part of the problem in addressing women thinkers of the past is another version of what we are now tempted to call the essentialism problem: does it make sense to think that there is a style that might be demarcated as "feminine," or that might, in some way, pertain uniquely to women theorists? These are difficult issues, but a partial response to the question is to try to remember that it is not for no reason that women thinkers have, indeed, been left out of the canon. As Broad herself says, women philosophers "are now mere footnotes to the standard historical-intellectual accounts of the early modern period" (p. 1).Broad does a superb job of navigating between the need to set out the plain tenets of the thinker's philosophy, and the desire to try to tie it into these larger questions. In six chapters, she addresses the work of Elizabeth of Bohemia, [End Page 200] Margaret Cavendish, Anne Conway, Mary Astell, Damaris Masham and Catharine Trotter Cockburn The chapters on Elizabeth, Margaret Cavendish and Mary Astell are particularly strong—here part of the difficulty is that we do have familiar commentaries addressing the work of these women, and it is hard to try to see them in a new light. We are accustomed, for example, to think of Elizabeth merely as Descartes's correspondent. As is the case with information that is currently coming to bear on the question of Harriet Taylor Mill's input into the work of John Stuart Mill, it is difficult for us to see Elizabeth as a thinker in her own right, or, indeed, to give her the credit that Descartes himself gave her; as Broad notes, he had described her as "the only person I have so far found who has completely understood all my previous works" (p. 13). Margaret Cavendish's reputation has suffered from the somewhat scattered approach of her writings, and Broad cites her "reputation for eccentricity" (p. 38). Nevertheless, the sheer volume of her work and its allusion to the problems addressed by the Cambridge Platonists (areas also worked on by Anne Conway) demands that she be taken far more seriously than she has in the past. Astell has become known largely for her more overtly feminist works, such as A Serious Proposal to the Ladies, but she was also the author of several other pieces addressing issues in metaphysics, and again the amount of her work and its citation during her own time would militate against the notion that it should not receive thorough examination.Broad does a wonderful job of setting out the main philosophical questions found in these theorists' works, and she excels at pitting their views against those of the various male philosophers whose work—according to... (shrink)

Publicado por primera vez en 1982 y merecedor del Premio Nacional de Ensayo en 1983, Lo bello y lo siniestro es un texto imprescindible para comprender la historia de las ideas estéticas y de la teoría del arte. Mediante el análisis de obras diversas -desde las pinturas renacentistas de Sandro Botticelli hasta la célebre película Vertigo de Alfred Hitchcock- el genial filósofo valora la evolución histórica de dos categorías estéticas opuestas, lo bello y lo siniestro, para descubrir lo que ambas (...) tienen de sublime. Eugenio Trías persigue y consigue incansablemente para ofrecer al lector uno de los ensayos más descollantes de nuestro tiempo. (shrink)

1. Le fe por la palabra -- 2. Topía y Utopía -- 3. Luz en la caverna.

ABSTRACTRecent research on moral dynamics shows that an individual's ethical mind-set moderates the impact of an initial ethical or unethical act on the likelihood of behaving ethically on a subsequent occasion. More specifically, an outcome-based mind-set facilitates Moral Balancing, whereas a rule-based mind-set facilitates Moral Consistency. The objective was to look at the evolution of moral choice across a series of scenarios, that is, to explore if these moral patterns are maintained over time. The results of three studies showed that (...) Moral Balancing is not.. (shrink)

Bioethics, Volume 36, Issue 2, Page 162-169, February 2022.

Jane Duran's Worlds of Knowing begins to fill an enormous gap in the literature of feminist epistemology: a wide-ranging, cross-cultural primer on worldviews and epistemologies of various cultures and their appropriations by indigenous feminist movements in those cultures. It is the much needed epistemological counterpart to work on cross-cultural feminist social and political philosophy. This project is absolutely breath-taking in scope, yet a manageable read for anyone with some background in feminist theory, history, or anthropology. Duran draws many (...) comparisons and connections to Western philosophical and feminist ideas, yet avoids facile or imperialistic over-universalization. Her book is powerful, comprehensive, Pnd brave. It will prove an enormously useful resource for scholars in women's studies, philosophy, anthropology, religious studies and history. (shrink)

Antonius Andreae was one of the most distinguished disciples and disseminators of John Duns Scotus’s doctrines within the Crown of Aragon and his works, which had an outstanding editorial success,...

Antonius Andreae was one of the most distinguished disciples and disseminators of John Duns Scotus’s doctrines within the Crown of Aragon and his works, which had an outstanding editorial success, can be considered as complete philosophical treatises ad mentem Scoti. This article focusses on his commentary on Aristotle’s Metaphysics, where Andreae completes and reformulates the metaphysical views of his teacher, which results in a systematic treatise of Scotist metaphysics. To assess the scope of his reformulation and its value, I examine (...) his interpretation of the concept of science and the scientific status of metaphysics as is exposed in the sixth book of this commentary. For it, I present a detailed overview and transcription of his Quaestiones super Metaphysicam Aristotelis VI, which is based on Oxford, Oriel College Library, ms. 65. (shrink)

Bulletin de Philosophie Médiévale, Volume 62, Issue, Page 91-168, January 2020.

Antoni Andreu fue un pensador clave en la formación y difusión del pensamiento escotista. El objetivo del presente número monográfico consiste en arrojar un poco de luz sobre estos dos aspectos fundamentales de la obra de Antoni Andreu: el pensamiento filosófico de Andreu y las diferencias que presenta respecto al de Escoto, y su influencia posterior, fundamentalmente en autores de la modernidad.

This paper includes a concise survey of the work done in compliance with de Finetti's reconstruction of the Bayes-Laplace paradigm. Section 1 explains that paradigm and Section 2 deals with de Finetti's criticism. Section 3 quotes some recent results connected with de Finetti's program and Section 4 provides an illustrative example.